As Para Site, Hong Kong's renowned non-profit art institution, celebrates its 30th anniversary, a new era unfolds under the leadership of James Taylor-Foster. At just 33 years old, Taylor-Foster brings a fresh perspective and a unique background to this role, having previously worked in architecture, design, and digital culture. His vision for Para Site's future is an intriguing blend of continuity and disruption, aiming to redefine what it means to be an independent art space in a rapidly evolving cultural landscape.
A Transformative Journey
Para Site's journey began in 1996 as an artist-run initiative, filling a void in Hong Kong's contemporary art scene. Over the years, it evolved into a curatorially driven institution, gaining recognition under the guidance of esteemed directors like Tobias Berger, Cosmin Costinas, and Billy Tang. However, the city's cultural landscape has dramatically shifted since then, with the emergence of new institutions like M+, Tai Kwun, and CHAT, and the proliferation of commercial galleries post-Art Basel Hong Kong.
Reinventing the Wheel
Taylor-Foster acknowledges the need for reinvention, suggesting that Para Site's next chapter should revisit its roots. He believes contemporary art should be more than a specialized field; it should be a dynamic interrogation of the present. This vision opens doors to a more inclusive and experimental approach, embracing a blend of artistic practices across music, dance, and live art.
Breaking Barriers
One of Taylor-Foster's key goals is to make Para Site more accessible. He wants to lower the barriers that often exclude those without a contemporary art background, without compromising the institution's ambitious programming. This approach could revolutionize how audiences engage with art, creating a more inclusive and welcoming environment.
A New Home, A New Beginning
The move from Para Site's current location in Quarry Bay is a priority for Taylor-Foster. He sees this relocation as an opportunity to rethink the institution's entire program and architecture, considering not just how exhibitions fit into a space but what kind of space Para Site needs to thrive in its next phase.
Nurturing the Future
Taylor-Foster emphasizes the importance of nurturing and supporting emerging artists and curators. He describes Para Site as a "nurturing garden" for these talents, recognizing that they are the future of the art world. This ethos of support and development is at the heart of his vision for Para Site's future.
Conclusion
As Para Site embarks on its next chapter, the institution's future looks bright under Taylor-Foster's leadership. His unique background and fresh perspective offer a new lease of life to an already established and respected art institution. By embracing a more inclusive and experimental approach, Para Site has the potential to become a leading force in Hong Kong's ever-evolving cultural landscape.
